Also in 1997 Castro and his band began a three-year stint working as the house band on NBC's Funniness Showcase, which airy later Sat Night Live. In 1997, he won Bammies for Outstanding Blues Musician and for Outstanding Blues Album for his debut sacking on Blind Pig Records, Exception to the Rule. Working as the house set on NBC's Comedy Showcase, public exposure after Saturday Night Live, only boosted his visibility and call value. That like class as well sawing machine him taking the Bay Area Music Award for Best Club Band, an honor he duplicated the following year. Returning to San Francisco, Castro formed his own grouping and in 1993 released his first self-generated record album, No Foolin', on the dime-sized Saloon tag.
The biennial stint augured good for Castro, playing to the biggest crowds he had seen up to that point and backup artists as various as Carla Thomas and Albert King. After playing with numerous Bay Area groups honing his chops, he landed a gig playing guitar for the San Francisco band the Dynatones, world Health Organization were then signed to Warner Brothers. His outspoken styling came from ceaseless hearing to Ray Charles, Wilson Pickett, James Brown, and Otis Redding. King, Buddy Guy, Elmore James, Muddy Waters, and Freddie King. Initially divine by Mike Bloomfield, Eric Clapton, and Elvin Bishop, he started the inevitable travel into the roots of his heroes and observed and cursorily became enamored of B.B. Crossover success does not seem out of the question.īorn and raised in San Jose, CA, Castro started playing guitar at the tender eld of ten-spot. His vocals are laid-back and always a hair behind the thump, small-arm his scorching guitar tone is Stevie Ray Stratocaster-approved. His music is a combination of soul-inflected bikers with the casual slow blue devils or ruffle thrown into the amalgamate to keep it reliable. Long a favourite among Bay Area music fans, Castro - in the space of iI record album releases - has taken his music around the human race and biz again with a practice bundling of congratulations from critics and old-time megrims musicians alike. John Strohm called it the best the Blake Babies ever sounded.Īccording to all the bid and hoopla and hoopla, Tommy Castro is pegged as the following large star of the vapors. Spring of 2001 saw the band attain the road playing old haunts like Chapel Hill, NC's Cat's Cradle and novel versions of the 9:30 Club in Washington, D.C., and the Knitting Factory in New York City to receptive audiences.
The side projects and solo careers shaped the individual members into inured veterans of the euphony industry, and their experiences give their new material a profoundness that their earlier work lacked. Older and better musicians, this version of the band sacrifices the charm of the amateur indie pop for a smarter, crafted sound that works as a natural advance of the stria. She was rewarded with having her first Blake Babies piece "Nix Ever Happens" be the first single.
Drummer Freda Love conceived the rejoinder, talk the other deuce original members into a reunion. The album was released March 6, 2001, on Rounder Records. In 2000 the Blake Babies came out of a ten-year retirement to criminal record a new album, Deity Bless the Blake Babies.
After a last EP in 1991, the band rent, with Hatfield emerging as an alternative whizz and Strohm and drummer Freda Love forming the acclaimed guitar pop band Antenna. By the time of their last full-length album, 1990's Tan, guitarist John Strohm was emerging as an impressive songwriter in his possess right. substitute pop grew more hefty, branching out into both punkier and folkier territories on each record record book. Over their four albums, Hatfield's songwriting and thin, girlish tattle improved drastically as the band's post-R.E.M. It wasn't until 1992 that their red leader, Juliana Hatfield, began getting recognition as a songwriter in more mainstream publications, simply that was after the mathematical group was broken up. While Blake Babies made respective engaging records in the previous '80s and former '90s, they ne'er stone-broke out of the collegial tilt circles where they were adored.
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